The 10 Most Famous Paintings from The Tang Dynasty

1. Portrait of Emperor Taizong Receiving the Tibetan Envoy

Artists: Yan Liben

One of China's top ten most celebrated traditional masterpieces, Portrait of Emperor Taizong Receiving the Tibetan Envoy (Bu Niao Tu) vividly portrays Emperor Taizong of the Tang Dynasty meeting Gar Tongtsen Yulsung, the diplomatic envoy from the Tubo Kingdom, at the imperial palace. In the painting, Emperor Taizong is seated on a palanquin borne by six court ladies, accompanied by three additional maids holding ceremonial fans and canopies beside him.

As a crucial historical relic documenting the friendly exchanges between the Han and Tibetan ethnic groups, this classic Chinese painting features powerful and fluent brush lines, elegant and harmonious color schemes, and meticulously rendered human figures with exquisite detail. Preserved in the Palace Museum, Beijing, it has a height of 38.5 cm and a width of 129.6 cm, representing a landmark work in ancient Chinese figure painting and cultural heritage.
The Emperor's Procession is one of the ten most famous paintings in China.
The Emperor's Procession is one of the ten most famous paintings in China.

2. Court Ladies Adorning Their Hair with Flowers

Artists: Zhang Xuan and Zhou Fang

Ladies Wearing Flowers in Their Hair (Zanhua Shinü Tu), an exquisite polychrome painting on raw silk, is a classic masterpiece by Zhou Fang of the Tang Dynasty. The artwork portrays court ladies of the Tang Dynasty and the Five Dynasties and Ten Kingdoms period. It features five elegantly dressed noblewomen and one maid appreciating blooms in a garden during the late spring to early summer season, accompanied by a small dog, a white crane, and blooming magnolia flowers.

This remarkable painting vividly captures the noblewomen’s delicate complexions, graceful postures, and the elaborate patterns of their luxurious silk garments, reflecting their privileged and leisurely court life. As a landmark work in the tradition of Chinese court lady paintings, it perfectly exemplifies the elegant fashion and aesthetic tastes of elite women in the Tang Dynasty, embodying the highest achievements of Tang Dynasty figure painting.

This work is currently housed in the Liaoning Provincial Museum.

Zhou Fang Court Ladies Wearing Flowered Headdresses

3. Five Oxen Painting

Artists: Han Huang

"Five Oxen" is the earliest known painting on paper, made of hemp paper, a common type of paper in the Tang Dynasty. The painting depicts five oxen, each in a different posture. The artist of the Five Oxen painting skillfully depicts the oxen's bones and muscles, allowing us to clearly see their individual details, including the fine hairs on their heads and muzzles.

Han Huang's keen observation of the oxen's eyes vividly portrays their both docile and stubborn nature. Oxen are a traditional subject in ancient Chinese painting, reflecting the dominant ideology of an agricultural country that prioritizes agriculture.

"Five Oxen" is the only surviving example of his work and one of the few genuine Tang Dynasty paintings on paper or silk, thus attracting widespread attention for both its artistic achievement and historical value.

Five Oxen measures 20.8 cm wide and 139.8 cm long. It is currently housed in the Palace Museum in Beijing.

One of China's Ten Great Masterpieces of Painting: Five Oxen
One of China's Ten Great Masterpieces of Painting: Five Oxens

4. The Night Banquet of Han Xizai

Artist: Gu Hongzhong

The Night Revels of Han Xizai is one of the most famous masterpieces of traditional Chinese figure painting.

Li Yu, the last ruler of the Southern Tang Dynasty, intended to appoint his minister Han Xizai to important official posts, yet he harbored suspicions about his conduct. Consequently, he require the painter Gu Hongzhong to visit Han Xizai’s residence at night to observe his activities, memorize the scenes, and create this handscroll to monitor his behavior. In reality, Han Xizai deliberately indulged in feasting and entertainment to disguise his true ambitions and avoid being drawn into dangerous political struggles.

This renowned painting vividly reconstructs the historical scene of Han Xizai, a distinguished minister of the Southern Tang Dynasty, hosting a grand night banquet for his guests. It delicately captures the lively atmosphere of music performance, singing, dancing, and conviviality, while also conveying the protagonist’s complex character—uninhibited yet deeply melancholic. The entire handscroll is ingeniously composed of five interconnected scenes, showcasing superb painting skills and profound historical value.

The Night Banquet of Han Xizai is 28.7 cm wide and 335.5 cm long, and is currently housed in the Palace Museum in Beijing.

The Night Revels of Han Xizai is one of the ten most famous paintings in China.

The Night Revels of Han Xizai is one of the ten most famous paintings in China.

5. Streams and Mountains Clearing After Snow

Artist: Yang Sheng

This painting, Streams and Mountains After Snow, portrays a figure journeying home on a frigid, snow-covered winter night. While its overall atmosphere is serene and desolate, it also carries a subtle warmth and comfort of homecoming.

As a representative snowscape painting of the Tang Dynasty, "Landscape of Streams and Mountains After Snowfall" fully presents the aesthetics of landscape painting from the High Tang to the Mid-Tang Dynasty art. It is a precious treasure for studying the boneless landscape and snowscape painting techniques of the Tang Dynasty.

The painting measures 118.9 cm in height and 60.3 cm in width. It is housed in the Yale University Art Museum.

Tang Dynasty paintings of streams and mountains after snow

6. Ladies Waving Fans

Artists: Zhou Fang

Ladies with Fans is a renowned masterpiece of Tang Dynasty figure painting by the celebrated artist Zhou Fang. The artwork depicts thirteen court ladies and maids with elaborate high coiffures, delicate slender eyes, full rounded faces, and elegant long flowing robes, capturing them engaged in a variety of leisurely court activities: reclining languidly holding fans, unpacking a zither from its case, applying makeup before a mirror, embroidering at a table, and resting leisurely with fans in hand.

Hailing from an influential and affluent aristocratic family, Zhou Fang was deeply acquainted with the luxurious lifestyle of the Tang nobility. Unlike traditional paintings that emphasized virtuous women, virtuous wives, or divine maidens, his court ladies paintings drew inspiration directly from the real-life recreational activities of upper-class women. Endowed with a strong sense of the times, his works authentically reflected and catered to the aesthetic preferences of the nobility during the mid-to-late Tang Dynasty, making him a representative painter of ancient Chinese court ladies paintings.

Painting of Ladies with Fans by Tang Dynasty Painter Zhou Fang

7. Noble Ladies Dallying with Children

Artist: Zhou Fang

"Playing with the Baby" is attributed to Zhou Fang, a court painter of the Tang Dynasty. It is a typical Tang Dynasty painting with the theme of ladies playing with children. It is mostly a silk scroll with color. It is a rare surviving copy of Zhou Fang's paintings that focuses on children playing and noble ladies teasing their children. It vividly draw the life and interests of aristocratic families in the blooming Tang Dynasty.

The tang dynasty painting is set against an elegant and tranquil backdrop of courtyards, railings, flowers, grass, and elegant furnishings. The noble ladies radiating a gentle aura  and maternal love, while the children appear innocent and lively, fully embodying the peaceful and comfortable lifestyle of aristocratic families in the glorious Tang Dynasty. The figures are depicted with full, plump physiques, round faces, and graceful, dignified bearing, perfectly reflecting the mid-Tang aesthetic of “admiring fullness as beauty.” The brushstrokes are supple and smooth, with flowing, elegant lines for the clothing drapery.

This painting measures 29.5 cm in height and 142.9 cm in width. It is housed in the National Palace Museum, Taipei.

Ladies Playing with Infants

Playing with the Baby

Noble Ladies Dallying with Children

8. Riverbank After Snow

Artist: Wang Wei

"Riverbank After Snow" is a masterpiece of ink-wash landscape painting by the Tang Dynasty poet Wang Wei, and also a pioneering work in the genre of ink-wash snowscape painting. It depicts the scene of a riverbank after a snowfall, with the sky clearing.

The painting features large areas of blank space instead of snow and river surface, creating a sense of emptiness, tranquility, and remoteness. The scholar in the boat, like a poet, conveys the transcendent and meditative beauty of "walking to the end of the watercourse, sitting and watching the clouds rise."

The original work no longer exists; what exists today are later copies (such as the one held at the Kōtō-in Temple in Kyoto, Japan).

Riverbank After Snow by wang wei

9. Court Ladies Preparing Newly Woven Silk

Artist: Zhang Xuan

"Court Ladies Preparing Newly Woven Silk" is a meticulous brushwork painting on silk with rich colors by the Tang Dynasty painter Zhang Xuan. It paints the labor scenes of aristocratic women in the Tang Dynasty: pounding, weaving, sewing, and ironing silk. The painting features 12 figures. Using a scattered perspective, the figures are depicted with full, rounded forms, the lines are fine and vigorous, and the colors are rich and vibrant, showcasing the Tang Dynasty's aesthetic preference for plumpness.

The painting vividly recreates scenes of court life in the prosperous Tang Dynasty by meticulously depicting the processes of pounding silk, such as the forceful movements of rolling up sleeves and the playful interactions of the girls. This painting is an important art historical material for the study of Tang Dynasty clothing, crafts, and social culture.

The painting measures 37 cm in width and 145.3 cm in length. The original is lost; the extant version is a copy made by Emperor Huizong of the Song Dynasty and is currently housed in the Museum of Fine Arts, Boston.

Court Ladies Preparing Newly Woven Silk

Court Ladies Preparing Newly Woven Silk

10. The Heavenly King and the Infant Buddha

Artist: Wu Daozi

Wu Daozi, a painter of the Tang Dynasty, is revered as the "Sage of Painting" in China. Many of Wu Daozi's works have been recorded, but only "Ghost Lord", "Searching the Mountain", and "The King of Heaven and the Infant Buddha" have survived to this day.

The "The Heavenly King and the Infant Buddha" painting is a Buddhist theme, telling the story of Shakyamuni Buddha's birth to earth. The painting is divided into two parts, revolving around the birth of the Buddha and the worship of the gods. This painting is mainly in line drawing style, with light colors applied, and focuses more on the expression of the figures' expressions, movements and spirit.

The "The Heavenly King and the Infant Buddha" painting is in the collection of the Osaka Municipal Museum of Art, Japan.

The Heavenly King Preparing for the Buddha's Birth

The King of Heaven and the Infant Buddha

The Heavenly King and the Infant Buddha

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